![]() ![]() They take a long time to mature.Lisa Tsotsos has been trying to bury her father for eight months now - and as the emotional weight of the ordeal and her legal bills pile up - she says she's starting to lose hope. A mysophobe is someone who keeps washing his hands very frequently because he is mortally afraid of dirt and contamination. Other common expressions to refer to this fear are ‘germaphobia', ‘bacteriophobia' and ‘bacillophobia'. The word comes from the Greek ‘mysos' meaning ‘uncleanness'. The word is pronounced ‘my-so-FO-bia' with the main stress on the third syllable. The first syllable is pronounced like the word ‘my' and the second like the word ‘so'. The fear of germs is called ‘mysophobia'. What do you call someone who fears germs? But their beau geste didn't really change anything. *When they heard that I'd been dropped, the other team members said they would talk to the manager. The expression is mostly used to refer to a noble, but meaningless gesture. ![]() The phrase is pronounced ‘bo ZEST' with the main stress on the second word. The ‘este' that follows is like the ‘est' in ‘best', ‘west', and ‘nest'. The ‘g' in ‘geste' is pronounced like the ‘s' in ‘pleasure', ‘leisure', and ‘measure'. The ‘eau' in ‘beau' sounds like the ‘o' in ‘so', ‘no', and ‘go'. Soon people started suspecting that every doctor had a skeleton in his cupboard!įirst, let us deal with the pronunciation of this French expression. Once the dissection had been done, they proceeded to store the skeleton in a cupboard. In order to study human anatomy, some unscrupulous doctors hired grave robbers to steal recently buried bodies for them. Before the 19th century, the only body that a doctor was allowed to cut open was that of a dead prisoner. Others believe that the idiom is the result of something that many practicing doctors actually did in the 17th and 18th centuries - hide a human skeleton at home. There are several explanations as to the origin of this idiom. *When the press started snooping around, they found several skeletons in the CM's cupboard/closet. Americans tend to say ‘closet' instead of ‘cupboard'. If someone has a skeleton in his cupboard, he has an embarassing or a dark secret which he hopes will remain hidden he doesn't want anyone to find out what it is. What is the meaning and origin of ‘skeleton in the cupboard'? People are buried in graveyards in a cemetery, it is possible to bury an individual's ashes as well. It was seen as a person's final resting place unlike a graveyard, a cemetery does not adjoin a church. The word ‘cemetery' comes from the Greek ‘koimeterion' meaning ‘dormitory, resting place'. #Grave yard fullWith the increase in population, the old graveyards became full and new burial sites, called ‘cemeteries', came up a little away from the town/city. In the old days, people were buried close to the church the nobles and the rich, in fact, were sometimes buried in crypts beneath the church. ‘Graveyard' is the older of the two terms, and it is mostly used to refer to a burial ground which adjoins a church. Though these two words are used interchangeably to refer to a place where people are buried, there is a subtle difference in meaning between the two. ![]() What is the difference between ‘graveyard' and ‘cemetery'? ![]()
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![]() On “popular” literature in late medieval household books see Shuffelton, “Is There a Minstrel in the House?” For a study that considers the gentry manuscript contexts of Middle English romance see Radulescu, Romance and its Contexts.Ģ4 See Hibbard, “Torrent of Portyngale,” (1960) pp. 218n4.Ģ3 On “popular” romance see Putter and Gilbert, eds., Spirit of Medieval English Popular Romance McDonald, ed., Pulp Fictions of Medieval England and Gray, Simple Forms, especially pp. lxxx.Ģ2 See Purdie, ed., King Orphius, p. On Anglo-Iberian relations in the Middle Ages see also Bullón-Fernández, ed., England and Iberia in the Middle Ages. 1–14, as well as Carlson’s “The English of Nájera,” and Galván’s “At the Nájera Crossroads” in the same volume. 27–28.Ģ1 See the “Introduction” to John Gower in England and Iberia, eds. 34–38.Ģ0 See Kennedy, “Malory and His English Sources,” pp. 7, 22–23.ġ9 See Kennedy, “Malory and His English Sources,” pp. xxix–xxxii Sánchez-Martí, “The Printed History of the Middle English Verse Romances,” pp. xlviii–liv.ġ7 See Scammell and Rogers, “An Elegy on Henry VII,” p. A more skeptical reader, however, might follow Pearsall, who has expressed suspicion at the idea that “late medieval English manuscripts of apparently miscellaneous content are somehow the product of unifying controlling intelligences”(“The Whole Book,” p. Most recently, Sánchez-Martí has argued that the manuscript “is a clear example of careful organization, conceived as a family library in parvo” (“The Middle English Versions of Ipomedon,” p. xviii–xxiii.ġ5 Chetham’s MS 8009 is generally considered one of the more tightly knit miscellanies. See Ker, Medieval Manuscripts in British Libraries, pp. 265–79.ġ2 On the manuscript’s composition, see Sánchez-Martí, “Manchester, Chetham’s Library MS 8009 (Mun.A.6.31): A Codicological Description.”ġ3 Scribal assignations follow Ker’s description of the manuscript. ![]() On the connection within Chetham MS 8009 in particular, see Wade, “Romance, Affect, and Ethical Thinking,” pp. 24.”ġ1 On the link between saints’ lives and romance see Wogan-Browne, Saints’ Lives and Women’s Literary Culture, pp. 153–242.ĩ Mun.A.6.31 is the current shelfmark, though for the sake of continuity with past scholarship 8009 continues to be the preferred reference to the manuscript.ġ0 On the principal characteristics of late medieval English household books see Boffey and Thompson, “Anthologies and Miscellanies.” See also Boffey, “Bodleian Library, MS Arch. lxiii).Ĩ For a survey of tail-rhyme provenance see Purdie, Anglicising Romance, pp. ![]() lx–lxix, for lexical and semantic evidence of Torrent’s predominantly Northern dialect, which he believes can be narrowed further to the Eastern North Midlands (p. xx–xxi.ħ For a further discussion of provenance, and relation to Sir Egalmour of Artois, see Purdie, Anglicising Romance, pp. TORRENT THE CLOSER SEASON 7 EPISODE 19 TORRENT141–45.Ħ See Adam, ed., Torrent of Portyngale, pp. 208–35.ĥ For a list of these echoes see Richardson, ed., Sir Eglamour of Artois, pp. Narratio de Arthuro rege Britanniae et rege Gorlagon lycanthropo, pp. See Radulescu, “Reading King Robert of Sicily’s Text(s) and Manuscript Context(s),” pp. Similarly, the Dublin, Trinity College, MS 432 witness of the Middle English romance Robert of Sicily is formatted to suggest a dramatic dialogue, as is the sole surviving copy of the fourteenth-century Latin prose romance Arthur and Gorlagon. Comparison might be drawn with Dame Sirith, where the sole surviving manuscript marks with a marginal T, for Testator, lines where that role might have been taken by a separate reader. The subsequent editor, Erich Adam, had to frequently transpose words within lines to make the rhyme scheme work.Ĥ See the Explanatory Note for lines 7 and 10 for more on oral tags. More unusually, the surviving text is so fragmentary and error-ridden at the level of both the individual line and the tail-rhyme tercet, that the text’s first editor, James Orchard Halliwell, mistook the structure for six-line stanzas. SIR TORRENT OF PORTINGALE INTRODUCTION: FOOTNOTES 1 On the characteristic features of late medieval English romance see Cooper, English Romance in Time, and Field, “Romance in England.”Ģ Harry Bailey, the host of the story-telling competition who often plays the role of literary critic in the Canterbury Tales (however ironic and subversive), calls the Tale of Sir Thopas “rym doggerel” (VII 925), and announces that the Chaucer-pilgrim’s “drasty rymyng is nat worth a toord!” (VII 930).ģ The lone surviving manuscript witness of Torrent, Chetham’s Library MS 8009 (Mun.A.6.31), does not space the stanzas separately on the page, though this is not unusual in manuscripts preserving late medieval tail-rhyme romances. ![]() ![]() ![]()
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Screaming girls and a beaming boy band lip synching to a soundtrack of Younger pop music fan, familiar postwar newsreel footage of hysterically Over, it's clear we're not done revisiting this rich musical With a newĭocumentary airing recently on PBS, The Dave Clark Five and Beyond - Glad All #Pat travers just a touch rar tv#Other anniversary TV specials linked to the British Invasion. In fact, you won't find The Beatles on this chart at all!!! And that HAS to be a first for 1964!!!Īnniversary of the Beatles' debut in America has occasioned a number of I guess if you couldn't have The Beatles in The Top Ten, then the next best thing was having a group that sounded just LIKE The Beatles up there instead!) However, the chart ALMOST redeems itself with the unexpected "Hey Harmonica Man" by Stevie Wonder at #7 and one of my all-time faves, "She's The One" by The Chartbusters all the way up at #4! (This one stopped at #33 in Billboard. I'll bet there aren't six Forgotten Hits Readers who could sing a refrain from THAT one!!!) a song I actually had to learn on the organ when my Mom made me take lessons). You'll also find some soft-rock schmaltz at #5 ("Love Me With All Your Heart" by The Ray Charles Singers. and one night played it at least twenty times while we were there. Except SOMEBODY in the joint LOVED this song. and the ONLY redeeming thing about the whole trip was the fact that the on-site restaurant had a GIANT Jukebox. during the Summer of '64, my parents took us up to some cottage up in Wisconsin for a vacation. Barbra Streisand sits at #3 with her "Funny Girl" classic "People". 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The Bureau of Labor Statistics (BLS) reports the average annual salary for these IT professionals to be just over $85,000. Positions for computer science professors are well-paid. Tenured college and university professors will need a doctoral IT degree. If you want to teach full-time or at a community college, then a master’s degree in IT will be sufficient. To become a computer science professor, you’ll need a credential beyond the bachelor’s in computer and information technology. This means that in addition to teaching, computer science professors are making discoveries and developing innovations in the field of information technology. Moreover, these college and university faculty members are often active in scholarly research in their respective fields. ![]() Computer science professors must use these skills to develop an engaging and effective curriculum that will facilitate student learning. If you look closely at the duties of these types of postsecondary instructors, you’ll see that there is room (and even demand) for high-level creative skills. Computer Science ProfessorĪt first glance, the title of computer science professor may not seem like the most creative position in the IT field. PayScale cites the average annual wage for these types of developers to be nearly $78,000. You can expect to be fairly well-compensated as a bioinformatics software developer. Some schools also offer relevant specializations in areas like Bioinformatics or Bioinformatics Engineering. ![]() Since this is a new technology, bioinformatics software developers must use creative problem-solving skills combined with knowledge of computer and information technology to perform their duties effectively.Ī computer and IT bachelor’s degree is recommended for entry-level positions in bioinformatics software development. 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